Mexican Culture
Mexican culture reflects the complexity of the country's history through the blending of pre-Hispanic civilizations and the culture of Spain, imparted during Spain's 300-year colonization of Mexico. Exogenous cultural elements mainly from the United States have been incorporated into Mexican culture. As was the case in most Latin American countries, when Mexico became an independent nation, it had to slowly create a national identity, being an ethnically diverse country in which, for the most part, the only connecting element amongst the newly independent inhabitants was Catholicism.
The Porfirian era (el Porfiriato), in the last quarter of the nineteenth century and the first decade of the twentieth century, was marked by economic progress and peace. After four decades of civil unrest and war, Mexico saw the development of philosophy and the arts, promoted by President Díaz himself. Since that time, though accentuated during the Mexican Revolution, cultural identity had its foundation in the mestizaje, of which the indigenous (i.e. Amerindian) element was the core. In light of the various ethnicities that formed the Mexican people, José Vasconcelos in his publication La Raza Cósmica (The Cosmic Race) (1925) defined Mexico to be the melting pot of all races (thus extending the definition of the mestizo) not only biologically but culturally as well.[102] This exalting of mestizaje was a revolutionary idea that sharply contrasted with the idea of a superior pure race prevalent in Europe at the time.
Mexican films from the Golden Era in the 1940s and 1950s are the greatest examples of Latin American cinema, with a huge industry comparable to the Hollywood of those years. Mexican films were exported and exhibited in all of Latin America and Europe. Maria Candelaria (1944) by Emilio Fernández, was one of the first films awarded a Palme d'Or at the Cannes Film Festival in 1946, the first time the event was held after World War II. Famous actors and actresses from this period include María Félix, Pedro Infante, Dolores del Río, Jorge Negrete and the comedian Cantinflas.
More recently, films such as Como agua para chocolate (1992), Cronos (1993), Amores Perros (2000), Y tu mamá también (2001), El Crimen del Padre Amaro (2002), Pan's Labyrinth (2006) and Babel (2006) have been successful in creating universal stories about contemporary subjects, and were internationally recognised, as in the prestigious Cannes Film Festival. Mexican directors Alejandro González Iñárritu (Amores Perros, Babel), Alfonso Cuarón (Children of Men, Harry Potter and the Prisoner of Azkaban), Guillermo del Toro, Carlos Carrera (The Crime of Father Amaro), and screenwriter Guillermo Arriaga are some of the most known present-day film makers.
Mexican society enjoys a vast array of music genres, showing the diversity of Mexican culture. Traditional music includes Mariachi, Banda, Norteño, Ranchera and Corridos; on an every-day basis most Mexicans listen to contemporary music such as Pop, Rock, etc. in both English and Spanish. Mexico has the largest media industry in Latin America, producing Mexican artists who are famous in Central and South America and parts of Europe, especially Spain. Some well-known Mexican singers are Thalía and Belinda. Popular groups are Café Tacvba, Molotov, RBD and Mana, among others.
Most State Ministries of Culture or Education sponsor their own Orquestas Sinfónicas or Orquestas Filarmónicas (Orchestra) so people can enjoy Classical Music. The Orquesta Filarmónica de Jalisco is the oldest in the country.
Fine arts
Post-revolutionary art in Mexico had its expression in the works of renowned artists such as Frida Kahlo, Diego Rivera, José Clemente Orozco, Rufino Tamayo, David Alfaro Siqueiros and Juan O'Gorman. Diego Rivera, the most well-known figure of Mexican muralism, painted the Man at the Crossroads at the Rockefeller Center in New York City, a huge mural that was destroyed the next year due to the inclusion of a portrait of Russian communist leader Lenin. Some of Rivera's murals are displayed at the Mexican National Palace and the Palace of Fine Arts.
Academic music composers of Mexico include Manuel M. Ponce, Mario Lavista, Silvestre Revueltas, Arturo Marquez, and Juventino Rosas, many of whom incorporated traditional elements into their music. Nobel Prize winner Octavio Paz, Carlos Fuentes, Juan Rulfo, Elena Poniatowska, and José Emilio Pacheco, are some of the most recognized authors of Mexican literature.
Music
Cinema
Culture
|